Raw
power, rage, valiant, mythical, sensual, bizarre,
sometimes hysterical - a Yakshagana play
can depict all types of emotions. Though very much
a folk tradition, Yakshagana is an amazing
combination of dance, music, spoken word, costume-makeup
and stage technique. It is among the oldest traditional
and popular folk dance forms of Karnataka
with a history dating back to the 14th Century AD.
In Yakshagana, the male characters, such as
the hero, the king, the minister and the prince
have a grand crown or 'Makuta'. Wild characters
like 'Dhiroddhatas' adorn an arch-like
head dress. The facial make-up is made of vegetable
dye, which for kings and princes is rosy pink,
Yama is black, Lord Krishna and
Vishnu is blue.
Till now this colourful attire and dazzling headgear
could only be seen in a
play, which is a rare sight nowadays. But now
it can adorn every household, thanks to Sripadh
Ganapathi Purohith's innovative method of
making Yakshagana masks in papier mache. An
artist of Banavasi, Sirsi taluk in North
Karnataka, Sripadh is a traditional artist who
has been sculpting Ganesha idols and tableau
displays for various festivals. A long time ago,
his grandfather had worked with Yakshagana artists
as makeup and costume designer. But his father
was disinclined to take up this art.
After Sripadh completed his Fine Arts
degree from the University of Mysore, he
went back to his hometown to take up his traditional
occupation. "While working with paper mould for
a design of a Yakshagana model for a festival,
it struck me that this could be replicated. So
I made clay models of the headgear of Yakshagana
and cast it in cement moulds. On this mould,
paper pieces were stuck with gum and pulled out
when dry. The face and headgear were painted on
this base and the ornaments added on it," says
Sripadh Purohith.
Within
weeks of exhibiting this prototype in a folk art
exhibition, he was flooded with orders from Yakshagana
enthusiasts from all over Karnataka. He mainly
concentrates on heroic characters like Bheema,
Arjuna, Krishna, and also villainous characters
like Duryodhana, Ravana and Kumbhakarna.
Now he employs interested young boys and girls
who learn this art while still continuing their
education. The masks, made completely with household
material like old newspapers, gum, glitter paper
and dyes, are not only long lasting but also
eco-friendly.
Similarly, there is another effort made faraway
inKasaragod on the
borders of Kerala where Adoor Sridhara
Rao makes Yakshagana masks in wood.
The masks are made of good quality rosewood and
decorated with embellishments. The ornaments used
are actual elements normally used in a headgear
of Yakshagana.
Shridara Rao had been an artist for Yakshagana
plays for many years and this idea has the fruit
of years of toil. There has been an effort by
him to sell these masks in exhibitions like the
recently concluded Kalamadhyam folk art festival.
But it is yet to be popular enough to produce
on a mass scale.