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Musical notes and rhythmic beats of the thala
can be heard from a long
distance. "Give stress on every swara
ni
dha
pa
you should make the audience
listen to my dance
" Surupa Sen
is instructing her musicians to match the steps of the
dancers. "Show the statement in your eyes. It
is music coming from high above and raining on the ground
at your feet." Surupa is instructing Bijoyini
the star solo performer.
The rough unfinished walls, straw covered thatched roofs,
rustic look, rural ambience, rhythmic musical notes
and chirping of birds
make this place look
like a gurukul straight from the vedic times. Everything
about Nrityagram, even the toilets and the water
tank, is worthy of notice. No doubt it has been awarded
the 'best rural architecture' award in 1991,
designed by renowned Charles Correa. Lush greenery
spreads across ten acres on what was once a barren land
on a remote village of Hesaraghatta outside Bangalore.
The city's most awaited cultural event 'Vasantahabba'
will be held in Nrityagram every year.
This model dance village, built to train dancers in
all classical dances, is the first
of its kind in the entire country. The brain child of
the legendary odissi dancer Protima Gauri, this
centre takes classical dance and its aspirants to the
milieu of the ancient gurukul. She wanted to revive
the guru-shishya parampara in the right kind
of environment. The dance school has a small community
of students from all parts of India with one common
aim - learning and teaching Indian Classical dance forms.
Nrityagram, in Protima's own words, is "an idyllic
dance village, peopled with idealistic, hardworking,
extremely talented and dedicated young dancers. Girls
with a dream in their hearts and the courage to go through
fire to achieve their objectives. Girls with a single-minded
purpose and the grit to 'hang in there', believing,
believing and believing, until they realize their objective,
their goal."
And realize their goal they will. A strict regimen of
dance, work and study is sculpting a star performer
out of every batch. Just as in old times, the students
are provided free board, lodging and education. Their
lives revolve totally
around the work of Nrityagram, which includes, lengthy
hours of dance training and theoretical and language
studies. Farming and dairy work makes them as self sufficient
a unit as possible, as well as teaching dance to the
children of municipal schools of villages nearby. "The
education in Nrityagram is not just dance, it is a way
of life," says Surupa.
Odissi, Mohiniattam and Kathak are taught in
different gurukuls and each of them have their own names
such as Raymonds Gurukul and BPL Gurukul to name a few.
Why such unusual names? It's because these corporate
houses have sponsored the building of the gurukuls.
For each art form, there is a separate gurukul, which
is committed to enrolling not more than six residential
students. "Gaurima used to say, if one
talented girl comes out of every batch, then our efforts
have yielded results. It is still difficult to find
that one girl with the fire and passion for dance; but,
once found, Nrityagram will take care of the nurture,"
says Surupa, quoting her beloved mentor. 
Now, somehow, with
the limited funds, a new dance hall is being constructed
with all modern facilities like physiotherapy center,
gym and the like. Despite the corporate patronage, it
is very difficult to find sponsors to promote art. In
fact during 2000, Nrityagram was unable to conduct their
renowned 'Vasantahabba' mainly due to lack of
sponsors. This dusk to dawn cultural festival
held every year since 1994, has been a showcase of the
best of the talents in classical styles available in
the country.
Visitor info:
Distance: 30kms from Bangalore (take deviation
from NH4 at Peenya -Dasarahalli towards Hesaraghatta)
Timing: 10am to 5pm (get permission at the reception
to enter village)
Food: Refreshments available during vasantahabba
Caution: No lodging available (make arrangements
for warm clothing)
This year 'Vasanthahabba'
was held on Feb 02, 2002.
Click here to read about last years "Vasanthahabba"
Festival of Dance
| Text and Photographs
by Levine Lawrence |
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